Case Study Analysis: Goa Hippy Tribe
Towards the objective of applying concepts and ideas learned about online documentaries, the following case study analysis focuses on a selected online documentary. Our aim is to reflect on an online documentary not only by describing the content or message of the documentary but also by discussing points of interests, professional concerns, and conducting research about the issues raised in the documentary. In addition, the technical aspects of the documentary will also be discussed including the filmmakers’ choice of platform, user experience, the design of the interface, and use of social media.
To narrow down the scope of the case study analysis, our discussion focuses on filmmaker Darius Devas’ documentary, “Goa Hippy Tribe”. “Goa Hippy Tribe” is an interactive documentary that features the Goan hippies. The “Goa Hippy Tribe” reflects a different view or perspective of the hippie culture. While some define the “hippie culture” with activism, Woodstock, and drug use, the Goan hippies’ ascribed to a different “hippie way of life”. As noted in the documentary, the Goan hippies’ philosophy was simply to do worthwhile things together. Goan hippies mapped out their so-called “Happy Trail” as they travelled Eat in Europe and the Middle East until they reach the beaches in Goa, India. The succeeding case study not only analyses the content of Devas’ documentary but also the filmmaker’s style and technique of delivery that the filmmaker used to reach its target audience.
Darius Devas’ “Goa Hippy Tribe”Devas is an Australian filmmaker. He claims to be a self-taught filmmaker who aims to capture any theme or experience the filmmaker finds interesting. In 2010, Devas visited Anjuna Beach to take videos and interview Goa hippies who were there for a reunion. The Goan community on Facebook was responsible for initiating and organising the Goan hippies’ reunion (DocLab n.d.). Initially, Devas used Facebook as his main platform to share the videos he took from his visit. Due to the attention that Devas’ project earned, however, the filmmaker created an online documentary – a series of videos – to share more details and information about his experiences, observances, and interactions with Goa hippies. Although the documentary is primarily available online, several institutions that host film viewings and festivals have shown “Goa Hippy Tribe” to their audience for a limited time.Devas’ target audience is essentially diverse based on the people who responded well to “Goa Hippy Tribe” on Facebook.
Nonetheless, “Goa Hippy Tribe” appeals more to people who are of the same mind as the Goan hippies. People who witnessed and experienced the hippy culture during the 1960s and 1970s and who similarly believe or subscribe to the views, ideals, and philosophies of the Goan hippies and other hippies, for that matter, would similarly find the documentary appealing. Furthermore, “Goa Hippy Tribe” is for the people of Goa, particularly those who were members of the Goa community on Facebook who wanted the Goan hippies to meet again even after decades of …