Vincent van Gogh example

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Vincent van Gogh

A man was one of the main objects of the display for the Impressionists. Its image has been interpreted in such a way that it asserted itself painfully hard in the fight with the environment, straining of the internal forces to the limit. This side of the post-impressionist art is best seen in the works of Vincent Van Gogh.

Vincent Van Gogh (1853 - 1890) is considered to be the great Dutch artist, who had a very strong influence on Impressionism in the art (Klein and Gogh 4). His works created in a decade, hit by their color, roughness
and negligence smear images of the suffering of the tortured mentally ill person, who committed suicide. Vincent Van Gogh was born in 1853 in the Netherlands. He was named in honor of the deceased brother, who was born a year before it on the same day. Therefore, it always seemed to him that he replaced someone else. Timidity, shyness, overly sensitive nature alienated him from his classmates. His elder brother Theo, with whom as a child, they had vowed not to give up, was his only friend. The cooperation of Theo and Vincent stays a standout amongst the most noteworthy collaborations ever, and it is hard to envision Vincent's creativity without the support of, and input from, his younger brother (Brower 689). Vincent was 27 when he finally realized that he dreamed of becoming an artist.

Being an ethnic Dutchman Van Gogh arrived in France as a perspective artist, depicting people and nature of the native land. In practice, Van Gogh was self-taught, although he used the advice of A. Mauve. The
acquaintance with the works and reproductions of Rembrandt, Delacour, Daumier and Millet had even greater influence in the formation of Van Gogh than the recommendations of this modern Dutch painter. Van Gogh understood the painting itself, to which he addressed, having tried different professions (a seller, a teacher, a preacher), as something that was delivered to people not in a kind of a preaching word but as the artistic
image. (Cernak and Morrow, 9).

The arrival in Paris in 1886, contributed to the work of Van Gogh significant adjustments without changing its basic essence. The artist was still filled with compassion and love for the little man, but this man was
different - a resident of the French capital, the artist himself. Changes in the style of Van Gogh to a certain extent had been dictated by a change in his worldview. In the most general form, his view of the world at that time could be considered more joyful, bright, than in Holland. This aspect of his work was particularly well revealed in
landscapes and still lives. Conventional Montmartre restaurants and cafés, thin leafless trees - all this took impressionist quivering, painted in bright soft colors in Van Gogh's works. Nature and work were, once …

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